Trying to Catch the Light
Thursday, June 23, 2016
Paintings
I am going to lug back paintings only if anybody would like to have one. Photographs are below; if anyone would like one, please let me know, and I will bring it to your very doorstep. The others I will give away down here.
Thursday, November 19, 2015
Bring it on!
These pieces I made in a collage course at Fleisher taught by Fran Golum, at least I think I am spelling her name right. I wish I could figure out s way to enhance my blog so that these look as magical and I feel they are, but at least they are visible. I liked the sloppiness and intuitiveness of the work, and Fran encouraged me to begin painting on a large scale... Where on earth would I PUT large paintings? It all seems so self indulgent but I am drawn to working with texture, fabric, color and shape; quilting is terrific, but it takes so long to complete one, and I cannot be as free and loose with the discipline as I can with painting and collage.
These all have a boat motif even though the bicycle stands out on this purple one and one the next one below.
This is a little one, and the drip of glue and yellow paint tinting the sailboat is my favorite. Also, I love the dog's head stuck beside the boat.
This is probably sideways because the triangle is mean to be the boat image, but, as a former student of mine used to say whenever I asked him to edit some of his writing, "Whatever floats your boat, Miss." I never corrected the Miss, but his writing unnerved me in its blatant disregard for logic.

I photographed these on my green sofa, so the fuzzy green around the edges are just what I was unable to line up properly and the sofa is evident.


This one is my favorite, and I finished it today, using cut up bits of what Fran calls "inventory," papers we had designed, painted, marked and decorated. I even used a little textured tissue paper on this one, but Fran urged me not to rely on its seductive qualities as I had done in the piece above.
Finally, this morning I could stay only a short time but wanted to bang out one last piece, feeling that I had found my "voice" in this medium.
This too is small, but I just painted a squishy piece of Bristol board with orange poster paint and then used cut up pieces of my pages, some tissue paper for sails, etc... They are, if nothing else, cheery and whimsical. As far as I'm concerned, what's not to love in that?
Friday, October 9, 2015
Sacred Spaces
In the early, misty morning on Forbidden Drive, before the sun pierces the shadowy veil of the day to come, there is a palpable hush over the Wissahickon waters, and the fuzzy moisture of morning mist seems substantial enough to photograph, as indeed it was this morning when I walked at 6:45, along with bikers, runners and clusters of walking regulars. But then we are regulars after a few nods of recognition or quiet hellos. This is the sacred time of day when the lights are still on along the drive, the path is still dark enough to feel spooky, and we early risers feel the anticipation of the coming day.

Then,one night Vince died in his sleep. At his funeral all the Wissahickon running friends wore sneakers as a way to celebrate his life, and now there a bench with Vince's name and dates sits at the entrance to Forbidden Drive.
Last week was Bill's 80th birthday, and as I was walking he and about six other runners past me, heading down to Valley Green. She I got there, others had gathered for a birthday celebration, and Sandy had made a delicious apple cake with apples from her farm, still warm from the oven. I gently cradled my piece in my hand on the walk back so that I could have it do lunch. With two masechtomies, Sandy is a runner's model, still racing - and winning - in her age group. Bill used to run with Beau until Beau got very sick and could no longer run, bu there he was down there, celebrating Bill's birthday along with his old buddies, chowing down on cake at 8:00 AM.
This morning the light was patchy, but as I came out of the park onto my street, I noticed my neighbor's front door, bathed in the glow of early morning sun, two small pumpkins lined up for the Halloween carvings. I wondered why there weren't three pumpkins because three young boys live there. May I will go buy one more and just stick it there without telling them.
Life is good when you live in sacred spaces.
Saturday, March 14, 2015
Finding art
"
This is a beach stick I found at Christmas. This morning I sanded it smoothly and propped it against a wall where it looks like a rather arrogant bird, at least to my eye. I think he's rather grand.
At another angle, he is more subtle but there is movement and flow in this stick whether anybody but I see it or not.
I never really photographed this block of wood that had nails in it when I found it, and the nails hold the other stick right in place as though the two pieces we're meant to be together, and I think they were. They are wedged outside my front window for all to see. But most people just see beach junk.



Friday, March 13, 2015
Something just didn't feel right yesterday

When I got the paper this morning, I realized that the earth had been emitting dangerous vibes, and if I head paid closer attention, perhaps I wouldn't have taken the trip.
Thursday, March 12, 2015
The first thing ....
As soon as I arrive, I drag these two chairs out from my little house and put them at the front door. Every morning I fill the little glass bottle with flowers. Yesterday it was an orchid and hibiscus, today it is some bougainvilla. Mornings are gloriously filled with bird calls, critter noises, and sunshines Rays, all inviting me to play. Because we are two hours ahead, I have been falling asleep before 8:30 but rising by 5:00. The day is too much of a draw for me to miss a second of it.
Friday, March 6, 2015
...and then there were blue skies and glistening sunlight
The morning machines have begun, but not before I got out to the meadow where the foot high snow drifts had settled, and the serenity and solitude of our shush through the pristine snow was sublime. We went into the park past the barn, and then drifted along the creek past the geese swimming quickly in the water, stopping to admire the crested ice, the glimmering snow and frilly white branches. Often up to his neck in snow, shadow bound over the mounds and scrabbled through the icy patches.
By 8:20 I had put on my skiis and shushed through the silence of s snowy wissahickon, gliding over the sparkling snow through the night skiers fracks, down to valley green and back without seeing a soul on the way out and encountering only three people on the way back. I was relived not to have carried my phone camera, pushing myself to find the words in my head to defjnd and describe to nobody but myself the glisten of the snow, the brilliance of the sky, and the ruffle of the trees. With nobody there, I had to make linguistic photos of the partially snow covered rocks in the creek, each looking like a skeleton, the still of the half Frozen wissahickon and the surge of water rumbling and tumbling down the dam at the red covered bridge. Long icicles dangled from the valley green inn, but the tracks ended right there, so I headed back home, tightening the night people's tracks that had gotten furry since their inception the night before. I was grateful for the solace and the solitude, the silence and the sparkle. My day has been shaped by such splendor.
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